Sometimes I write a story where lots of exciting stuff happens, my protagonist is proactive and has a goal, and I’m hitting all the right beats (if you don’t know what those are, check out this post on the 15 Story Beats), yet the story still feels flat. What’s wrong? What am I missing?
The truth of the matter is often I’m not missing anything. I spend a lot of time developing my stories and I know all the story parts that I need to make a story sing, but effectively implementing those parts into a manuscript is a whole other challenge. In a manuscript, those parts can get out of whack or lost or muddy. So how do you fix it?
By doing something we screenwriters often call “tracking the story’s spine.” A story’s spine is the character arc woven into the plot; the two should always go together just like your vertebrae and your spinal cord. Tracking a story’s spine means making sure the protagonist’s transformation (arc) is addressed in EVERY SCENE of the journey (plot). Because after all, as I’ve said before (specifically in this post about character journeys), every story is about change.
So let’s get started…